|Creator:||Johannes, de Rupescissa, ca. 1300-ca. 1365|
|Type of Resource:|
Watermarks: 1) anchor with ring atop the shank, all within a circle; 2) plain and ill-drawn anchor with thick flukes, the top of the shank forming a small, neat cross with the short stock. Both probably Italian papers, not directly comparable to the varieties illustrated by Briquet.
Script: Written by a single scribe in a late humanistic cursive hand sloping slightly to the right.
No headlines, headings and some capitals in pale red.
Binding: Sixteenth century. Brown calf, the covers blind-ruled to a rectangular pattern, the large center rectangle diagonally ruled to a lozenge pattern, a single quatrefoil impressed in blind in each of the rectangles and lozenges so formed, edges partly renewed and rebacked in the style of the period of the binding with compartments formed by three double raised bands, a gold stamped title label in the second compartment from top reading: "CHRISTOPHE | DE PARIS | - | RUPESCISSA | MANUSCRIPTS | ITALY | 15TH C". The endpapers are modern insertions, though of old paper, and the binding, while of the period of the manuscript, probably had no original connection with this codex.
In Italian and Latin.
Denis Duveen; Mellon MS 45, acquired with the Duveen collection. Gift of Paul and Mary Mellon, 1965.
Manuscript on paper of a group of shorter works by Christopher of Paris (pseudonym), probably a Venetian alchemist. With John of Rupescissa, De consideratione quinte essentie.
ff. i + 91 + i : paper ; 212 x 150 (ca. 155 x 98) mm.
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|Curatorial Area:||Beinecke Library|
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